But perhaps it was his lack of formal keyboard training that freed him to disregard convention and to find and explore new techniques that directly served his expressive proclivity. Yet, it's clearly impressive to hear not just a few isolated pieces but the entire cycle played in the style of earlier interpreters. For the entire 19th century and much of the 20th the piano was the most popular of all instruments – although lacking others' portability, no respectable home lacked one. Information from its description page there is shown below. The Waltz in C♯ minor is a piano waltz composed by Frédéric Chopin in 1847, the second work of his opus 64 and the companion to the "Minute Waltz" (Op. Users who like Chopin: Waltz in C#minor op.64 no.2; Users who reposted Chopin: Waltz in C#minor op.64 no.2; Playlists containing Chopin: Waltz in C#minor op.64 no.2 Note the level : Note the interest : ... 4 scores found for "Waltz No.2 Op.64 No.2" Details. 64 No.1 - Waltzes No.7 In C-Sharp Minor, Op. 2 - Single by Joohyun Park on Apple Music. Many composers contributed mightily to the art and prominence of the piano, but none as much as Frédéric Chopin. 3 / Mazurkas / Scherzo No. Details. It is often hailed nowadays as hugely inflected, but such descriptions seem valid only in comparison to more modern "objective" versions rather than to his predecessors. Great Pianists of the 20th Century - Arthur Rubinstein, Vol.1, Chopin Arthur Rubinstein JW Pepper ® is your sheet music store for band, orchestra and choral music, piano sheet music, worship songs, songbooks and more. Stream songs including "Waltz in C-Sharp Minor, Op. 64 No. Size 10.0 Source 78 User_cleaned Sean Gaston User_metadataentered Sean Gaston … 1 (chopin) clair de lune (debussy) canon in d (pachelbel) merry widow waltz (franz lehar) largo (dvorak) concerto no. Although Alfred Grünfeld (1852 – 1924), is generally considered the first pianist of note to have made recordings (his first sessions were in 1899), he waxed Chopin waltzes only in 1907 (Op. 2 | It's difficult, I did my best to express the feelings :) Hope you can give me some advice!! Scholars agree that the waltz is derived from the German Ländler, whose roots lie in a lascivious folk dance. ", Not only was Chopin revered as a unique stylist, but a persistent theme among commentators is how his music suffered in other hands. In a sense, Rubinstein presents Chopin with a priceless gift – transmuting his waltzes into symbols of the kind of aristocratic life Chopin craved but never attained. 64 (Chopin) 2 in B Minor). 64, No. 64, No. Nobody [else] understands them.". Hector Berlioz: "His playing is shot through with a thousand nuances of movement of which he alone holds the secret, impossible to convey by instructions. Commentators have said that Chopin single-handedly transcended the essentially percussive nature of the piano. 2 in C# Minor - Chopin (from Waltz Op. His compositions included ballades, études, impromptus, mazurkas, nocturnes, polonaises, preludes, scherzos and waltzes. Filesize: 10.0 kb. Grande valse; sometimes called the 2/4 waltz since the main melody sounds as if in 2/4 time against a 3/4 bass. To play Chopin … with rhythmic rigidity and pious respect for the indicated rate of movement would be … intolerably monotonous. (Equally fascinating are Koczalski's two vastly different recordings of the Op 9/2 Nocturne, which evoke the composer's own practice of playing his works spontaneously on each occasion.). Chopin: Waltz No.7 In C Sharp Minor, Op.64 No.2 - Tempo Giusto - Tamas Vasary | Nghe nhạc hay online mới nhất chất lượng cao 64, written in 1847, to a baroness or countess: aristocratic ladies offered the ideal public for this music, both as performers and as hostesses of musical events. Mozart, Haydn and many others had been commissioned to write waltzes for royal balls. 64/2) and 1912 (Post. Together, the Op. Elizavieta Cheriemietieff: "He has discovered how to give the piano a soul. The second was rubato, a special type of rhythmic freedom in which the left (bass) hand kept strict time while the right (melodic) hand played more intuitively. The most freewheeling Chopin waltzes ever recorded, they serve both as a tribute to Chopin's genius and as recognition, far more typical of his time than ours, that a musician is not a mere technician but an artist in his own right who can – and should – be a true partner with the composer. Yet, taken on their own terms, Pachmann's rolls are astoundingly alive with a sense of invention that recalls the composer's own delight in improvisation. 64. 2 In C# Minor sheet music. (B.56) Frédéric Chopin - Waltz No.15 in E-major, Op.Posht. We should note, though, that despite the similarity of his two comfortable studio sets, there was another side to Rubinstein's art, as displayed in recordings of individual waltzes. Tempo giusto ... Great Recordings of the Century - Chopin: Piano Concerto No. 2 / Waltzes / Ballade No. Chopin-waltz-op-64-no-2-in-c-sharp-minor.oga ‎ (Ogg Vorbis sound file, length 3 min 50 s, 127 kbps) This is a file from the Wikimedia Commons . 2 in C Sharp Minor. A huge man with a powerful tone that is amply evident in his recording of the funeral march movement of the Chopin Sonata # 2, he was described by Wanda Landowska as having jeu perlé (pearly touch), which he exploited fully in his recording of the Chopin Berceuse. 18 waltz, arguably the most pedestrian of the official canon, flows the sections together naturally yet with just enough distinctive character to sustain interest while suggesting an integrated composition rather than a succession of episodes. Although rarely performed, there are many further Chopin waltzes. The first was legato, described by Mikuli as tones melting into each other. Last edit on Feb 18, 2014. Brumble added Chopin - Waltz Op. 6 D-flat major: 1846-1847 XI 1847 Op. That, in turn, raises an intriguing but unanswerable question – did Chopin play with frailty because he chose to or because he had to? Grünfeld was also known as a superb mimic of others' styles and, perhaps ironically, his three Chopin waltzes (as well as two mazurkas and a nocturne), with their generally steady (but by no means rigid) left-hand rhythm and subtly free right-hand phrasing, seem to exemplify the descriptions of Chopin's own notions of rubato far more than Pugno's disc. Indeed, Paderewski tied his views on rubato to his Polish roots and essence: "Chopin played from the heart. But with the advent of the LP, the order of the waltzes became significant, as all 14 would be split onto only two sides, and thus present a continuous program in a fixed progression. Listening to him, one feels suspended somewhere between heaven and earth." Chopin's music refuses submission to the metronome as if it were the yoke of some hated government; this music bids us hear, know and realize that our nation, our land, the whole of Poland, feels and moves in tempo rubato." 18 and 34/2) for Polydor. 64 No. 64 No. Browse more videos. Valse No.7 Op.64 No.2 Tabs Frederic Chopin - How To Play "Waltz No.7 Op.64 No.Guitar Tabs & Sheet Online.Grande Valse Brillante No.7 Op.64 No. Antoine Marmontel: He "envelopes melodic phrases and ingenious arabesques in a half-tint which has something of both dream and reality." Perhaps to compensate for the horror of reality through idealizing, she caresses the tender sections of these waltzes with an astounding degree of suppleness and care. 64 No. (None of the other sides in his first session, which included the waltz, exceeded 2¾ minutes, which may have been the limit of the equipment; when encountering unusually fast tempi in discs of this vintage, one is tempted to suspect mechanical necessity, rather than purely artistic reasons.) 9 no. By the time Chopin arrived in Paris after spending his childhood and teen years in Poland, the waltz was hugely popular. Even when stripped of the vastly expanded material added three decades later by Princess Carolyne von Sayn-Wittgenstein, who used the nominal subject as a pretext for asserting and expounding upon her Polish nationalism, it generally dwells on thinly researched reflections on society and, in Waters' words, is more a testimonial than a biography. Frederic Chopin - Waltz Op.64 No.2 (C# minor) Piano Tutorial "Waltz in C-sharp minor" is the 2nd piece of Frederic Chopin's Opus 64, and the companion to the Minute Waltz (No.1). Indeed, Robert Schumann quipped that if Chopin's waltzes were to be danced, at least half the ladies should be countesses. It was composed in 1847. The instrument Chopin played never existed except beneath Chopin's fingers." #Rousseau #Piano #PianoCover 14. Waltz Op. Rather, Chopin's art blossomed in private, as he gave recitals before the aristocratic and cultural elite. And in a 1964 Moscow recital – one of his very few live recordings – he plays the Opp. Perhaps the closest we can ever hope to come to the genuine Chopin playing style lies in the recordings of Raoul Koczalski (1885 – 1948). Re: Chopin Waltz op 64 no 2 «Reply #46 on: September 10, 2014, 10:26:54 PM » There is a big, big difference between playing scales in similar motion and playing scales in formula pattern! It seems to descend from heaven – so pure and spiritual. Tuning: E A D G B E. File format: gp5. Chopin's own playing was distinguished with three traits that transformed piano technique. The main theme is in the key of B minor and is marked with an overall tempo of Moderato.. 2". 14,403 views, added to favorites 104 times. Loring Thad. 2 (pdf) Waltz In C# Minor Op. Thus Hallé: "Nobody has ever been able to reproduce his works as they sounded under his magical fingers." Piano sheet music for op.64 no.2, composed by Chopin for piano. Chopin's favorite piano was a Pleyel, having an easy touch and veiled sonority, which he often brought with him to a recital. Tranposable music notes for Easy Piano sheet music by Frederic Chopin Frederic Chopin: Hal Leonard - Digital Sheet Music at Sheet Music Plus. 34/3: Grade 8 Op. 1). (At Besançon, though, he ran out of energy and could not play the latter, substituting a Bach chorale as the final summation of his artistic life.) Piano Sheet. In The Great Pianists, Harold Schonberg notes the extreme disparity between the disparagement of Paderewski by critics and fellow musicians and the ecstatic adulation of the public, who idolized Paderewski, although perhaps more for his forceful personality, determination, statesmanship, patriotism, charisma and physical bearing (not to mention his prodigious halo of hair, at least in his younger days) than for his actual talent. In his comprehensive Music in Western Civilization Paul Henry Lang, hardly effusive with praise, hails Chopin as "one of the most original and remarkable geniuses in musical history. Chopin's impact on those who heard him perform was mesmeric. 64, No. University of Georgia Theses and Dissertations, http://purl.galileo.usg.edu/uga_etd/moon_youngmi_201505_dma. These waltzes exist in several extant versions, so this study will be useful in informing teachers of the different editions available and explaining the differences between them. 2 (chopin) the music of the night (lloyd webber) waltz op.64 no.2 (chopin) hallelujah (leonard cohen) grande valse (waltz) brilliante op. The very first Chopin waltz on record by a pianist of renown was cut in April 1903 by Raoul Pugno (1852 – 1914), who had studied with Georges Mathias, a Chopin pupil, and was famed as a Mozart specialist. Some scholars doubt their authenticity, while others suggest that they are merely unfinished. Description: Chopin waltz op 64 no 2 in c sharp minor. 100%. As in nearly all his recordings, Cortot's Waltzes are full of wrong notes, some at climactic moments. 64 waltzes display Chopin at the height of his powers, transforming the most commonplace of all the forms in which he composed into remarkable personal statements even while respecting and preserving their fundamental essence. 64 No. These five waltzes represent excellent repertoire selections for developing pianists. This joy and contentment informed his music and led in part to his compulsion to defend his temperate and judicious approach to Chopin. The first was his belief that music was a language with a unique structure, grammar and vocabulary, all to be placed in the service of expression. Written in 1847, Chopin dedicated this Waltz to Madame Nathaniel de Rothschild. He is widely regarded as the g. Free sheet music for amateur musicians and learners! 64, No. 34 no. Arthur Rubinstein - Chopin Waltz Op. SHARE. 64, No. Delivering music since 1876. Listen to Chopin Waltz in C-Sharp Minor, Op. 64,2 from Frédéric Chopin's Butterfly Etude for free, and see the artwork, lyrics and similar artists. Indeed, he stood apart from any musical movement, largely shunning the music of his contemporaries and citing Bach, Mozart and Bellini as his favorite predecessors. 2, but rather a musical item in which the more pure expression of perfect structural and … The first and last published sets form stylistic bookends for the Chopin waltzes. Advertisement. Chopin - Waltz Op. If it is still a waltz for the body it is for a soulful and solitary one that moves with a pathetic little skip between the sighing parallel sixths of its main theme and then twists away in a nostalgic pirouette. 7 in c sharp minor, Op. JW Pepper ® is your sheet music store for band, orchestra and choral music, piano sheet music, worship songs, songbooks and more. Compared to Grünfeld's record, Koczalski's 34/2 is considerably more wayward in constantly altering the basic pulse and adding embellishments not indicated in the score. Report. Chopin - Waltz Op. Born and trained in Warsaw, she had a turbulent life – displaced by the Nazis who murdered her family, imprisoned, emigrated to Brazil – after which her career was resumed under Rubinstein's patronage. Thus, he uses a dramatically sustained opening upbeat and an extreme concluding deceleration to bracket Op. By Frédéric Chopin / arr. nocturne op. Despite the brevity of his life, Chopin's biography did not seem to influence his compositions, whose emotional content are hard to tag to specific events, including his curious nine-year relationship with George Sand; indeed some of his brightest music emerged from his seemingly most depressing periods. The results are quite surprising. De Pachmann's waltzes display not only the sheer beauty of tone for which he strove, but also his penchant to distort and over-refine his phrasing. Outro: Chopin - Nocturne in C Sharp Minor (No. View credits, reviews, tracks and shop for the 1964 Vinyl release of Chopin Waltzes on Discogs. Download and buy printable sheet music online at JW Pepper. 3 & 4 1994 Featured On. Chopin Waltz Waltz in C sharp minor, op.64, 2 (Samson Ng Cover) Waltz… From Wikipedia, the free encyclopedia The Waltz in C♯ minor is a piano waltz composed by Frédéric Chopin in 1847, the second work of his opus 64 and the companion to the " Minute Waltz " (Op. It is hardly a coincidence that Chopin dedicated each of his Three Waltzes op. The second waltz is … PLAYLIST. Playing/Composition (me) Close. 64 Improvisation from Secret by Jay Chou Sheet music for Piano (Solo) | Musescore.com Sophie Leo: "He appeared to hardly touch the piano; there was no suggestion of the mechanical.". 【钢琴】多少人是因为这首曲子入坑古典音乐?(极高音质)肖邦:幻想即兴曲(Impromptu No. Ikuyo Nakamichi 2 in C-sharp Minor, and no. 3:51. Waltz Op 64 No 2 Intro guitar pro tab by Frédéric Chopin. At barely 2¾ minutes (compared to a typical 4½) , it's wonderfully fleet and exhilarating without seeming at all forced. Chopin: Waltzes. The remaining six waltzes that Chopin deemed unworthy of publication tend to wrap up the series with slackening inspiration. 1). Etzy~ renamed Waltz Op. Delivering music since 1876. At his death, Chopin left a dozen pages intended as a rough draft of a treatise which Sand claimed was intended to cover not only piano playing but an overall theory of music, and which surely would have been both fascinating and illuminating. The purpose of this project is to provide a pedagogical analysis of Chopin Waltzes, Opus 64 (no. 18 (in E-flat major, written in 1831), In light of all the disparaging 19th century twaddle about Chopin being effeminate. Fortunately, Chopin's supreme and enduring popularity with both artists and audiences has bequeathed us a bounty of recordings stretching back to the dawn of the 78. 3 in A-flat Major) and Opus 69 (no. 64, No. His Op. Chopin, F. (1880) Waltz, Op. Rhythms within each section tend to be far more strict than in other versions, with subtle gradations mostly reserved to prepare for transitions and more striking changes of mood. Relax Music 9,002 watching The Waltz in C♯ minor is the second work of Chopin's opus 64 and the companion to the Minute Waltz (Op. Liszt likened Chopin's art to drawings with a delicate pencil rather than with a scene-painter's brush, and hailed his expansion of the resources of art by concentrating his inspiration in a lesser space – a particular compliment from a fellow composer who sought to wrest from the piano a spectrum of splashy orchestral effects. Sand wrote that "only at the piano does he really open his heart." Download and print in PDF or MIDI free sheet music for Waltzes, Op.64 by Chopin, Frédéric arranged by ClassicMan for Piano (Solo) Waltz Opus 64, No. Arthur Rubinstein - Chopin Waltz Op. Although they are remarkably similar, the poignant circumstances of the recital lend it a special aura of transcendancy, as Lipatti distilled into this final public appearance the summation of all that he felt as an artist, infused with an intensely human struggle of the spirit to overcome his physical frailty. While intrinsically fascinating, some afford a particular opportunity to infer the composer's own style that his contemporaries deemed such a crucial part of his legacy, while others suggest the glories of scores that invite artists to add their own creative interpretive input. 5 years ago | 65 views. Chopin Waltz Op.64 No.2 Paul Barton, FEURICH piano - YouTube Buy download online. Emile Galliard recalled that: "upon finishing a piece, Chopin would often stay sitting at the keyboard in silence, pursuing a dream of his own. While short, simple and pleasant, they barely hint at the glories to come. Chopin prized spontaneity, forbidding his students to practice more than three hours per day and ordering them not only to dispense with the score but to not even look at the keyboard and even to play in the dark, as only then would one's hearing function with all of its sensitivity. Perhaps the most famous Chopin player of his time was Arthur Rubinstein (1887 – 1983), whose life was not only long but filled with "life and love and art and all the other wonderful things in the world," as he once put it. Have you played this piece? 64, No. Chopin was a miniaturist, having written only five large-scale works (two concertos and three sonatas). 2; About; Explore; About. His records are a mixed bag; some are awfully sloppy, but others display exquisite delicacy and successfully invoke his former wonder. Their melodies, if not as compelling as those of the published ones, are characteristic, yet Chopin seemed content to merely state rather than develop them. SHARE. 3 / Nocturnes on Discogs. 64/2 is delicately nuanced and a 1928 disc of the Op. Chopin dedicated this Waltz to Madame Nathaniel de Rothschild. Indeed, his two complete sets of the waltzes (1953 and 1963, both RCA), each recorded in a single day, breathe with an air of relaxed elegance that emphasizes the aristocratic life to which Chopin catered while attenuating the undercurrent of angst, leaving instead a haunting wistfulness. Follow. 0:00 Waltz Op.18 in E-flat major 5:27 Waltz Op.34 No.1 in A-flat major 10:27 Waltz Op.34 No.2 in A minor 15:29 Waltz Op.34 No.3 in F major 17:39 Waltz Op.42 in A-flat major 21:05 Waltz Op.64 No… 1). 64/2 B.164/2 Listen to Chopin: Waltz No.7 In C Sharp Minor, Op.64 No.2 by Peter Jablonski, 380 Shazams. Of other Polish pianists the most famous by far was Ignace Jan Paderewski (1869 – 1941). 69 No. Music notes for Piano Part sheet music by Frederic Chopin (1810-1849): FLEX Editions at Sheet Music Plus. Yet there was one more facet of crucial significance in Chopin's constitution – his health. His disc of the Op 34/1 waltz is exquisitely light and airy, with considerable flexibility in both rhythm and dynamics, and boasting breathtaking scalar runs. Other useful material is from Harold Schonberg's The Great Pianists (Simon & Shuster, 1963) and Paul Henry Lang's Music in Western Civilization (Norton, 1941). JavaScript is disabled for your browser. I feel, that later on I will have to leave home not just for a month but for a longer period of time. Brumble moved Chopin - Waltz Op. 64, No. The Waltz in C ♯ minor is a piano waltz composed by Frédéric Chopin in 1847, the second work of his opus 64 and the companion to the "Minute Waltz" (Op. Koczalski was Polish and a pupil of Karl Mikuli, Chopin's foremost student who devoted his life to teaching his master's approach to his works. VIDEO. Chopin's Waltz Op. [Notated Music] Retrieved from the Library of Congress, https://www.loc.gov/item/sm1880.20242/. 64 No. Sony: SICC40084B00Z. Chopin had few notable pupils. Cheriemietieff: "It is a desecration to play his compositions. 2). Among his very first records are the Opp. You listened to the improvisation of a poem. Fontana recalled that Chopin would improvise for hours with "an inexhaustible torrent of precious materials out of which coalesced his finished compositions." 64, No. 1 in A-flat Major and no. 64, No. Chopin’s Waltzes. Waltz in … Yet, the ultimate tribute to Cortot's artistry lies in the fact that he is so revered in spite of flaws that in lesser hands would be fatal. Thus Franz Liszt, an ardent admirer, Chopin's first biographer, only peer and arguably the most famous pianist of the time: "Such a poetic temperament as Chopin's never existed, nor have I heard such delicacy and refinement of playing." Download Sheet Music, Midi or Mp3 files. 2". Yet, unlike Liszt, Thalberg and the other keyboard giants of his time whose fame derived from constant exposure, Chopin is known to have given only 30 public concerts in his entire life (and in many of those he was but one of several participating artists). Yet, the waltzes boast a variety, accessibility and fascination that invite integral performance. MP3 • • • Annotate this sheet music. More important, should the legion of interpreters who play his music emulate his style or assume that his music contains bolder ideas than the composer himself could realize in his own performances? While these gestures are all lovely and effective, they clearly depart from the score and fall well outside the accepted range of Chopin interpretation. The vast majority of integral recordings proceed in the order of publication, which, although it has become a familiar sequence, neither strictly comports with the chronology of composition nor makes much musical sense. 64, No. Posted by 23 days ago. The Lipatti set raises the fascinating question of presentation. These five waltzes represent excellent repertoire selections for developing pianists. Free Piano Sheet Music - Waltz In C# Minor Op. 64/2 and sustains the trill-like opening figure and adds an extra cadence to the end of Op. 64 No. Advertisement. In James Huneker's admonition: "If you want to play Chopin, play him in curves." Frédéric Chopin (1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period. Among other legendary pianists of the distant past who recorded individual Chopin waltzes are: The first complete set of 14 Chopin Waltzes was cut by Alfred Cortot in 1934. In Lang's view, although Chopin's imitators filled the rest of the century, he was inimitable, as his independence transcended the forms of the past to create a higher law of structure based on a fantastic blend of undeniable melody and multi-hued harmony. Frédéric Chopin - Waltz Op.64 No.2 in C#minor Frédéric Chopin - Waltz No.14 in E-minor, Op.Posht. He urged his pupils to study singers and to sing themselves, insisting that music be phrased as declamation, conveyed in long breaths to avoid fragmentation yet with natural accents, including crescendos on ascending melodies and decrescendos on falling phrases. 2 to New Sheets - Dec Board MrBrumble's VP Sheets. 3 Valses, Op. 18 and 42) individually, and the others (Opp. 2 (Chopin) Amies-ennemies; Waltz with Bashir; Usage on fr.wikipedia.org Valse, opus 64 nº 2; Valse avec Bachir; Usage on ja.wikipedia.org ワルツ第7番 (ショパン) Usage on pl.wikipedia.org Lista dzieł Fryderyka Chopina; Walc z Baszirem; Walce op. In any event, it seems clear that the dance was far removed from the staid formality we associate with most socially-approved dances of the time, and its appeal may well have sprung from its call to liberation and vitality. His approach exemplifies the comments of many contemporaries who chided Chopin for his extreme rhythmic freedom; thus, Berlioz had claimed that Chopin could not play in time and pushed rhythmic independence much too far, while Hallé recalled that Chopin would hold the first note of each bar so long that his mazurkas, written in ¾ time, sounded as if they were phrased in 4/4 – hardly the first time that theoretical writing is trumped and enlivened by the experience of performance. Moreover, with only a few exceptions (the Préludes and two sets of Études), his works in a common genre were neither published together nor meant to be heard that way – indeed, the prospect of two hours of unrelieved nocturnes or mazurkas is daunting to all but the most focused listeners (and the trend of bundling them together into complete recordings is far more a marketing ploy than an artistic justification, and would never be heard that way in concert). 64, No. Yet, he clearly was influenced by his Polish heritage, which accounted for much of the searching harmonies and quirky dance rhythms of his work. View credits, reviews, tracks and shop for the 1953 Vinyl release of Chopin Waltzes on Discogs. 64 No. Even so, their vitality and character burst through the limitations of the technology. Note the level : Note the interest : ... 4 scores found for "Waltz No.2 Op.64 No.2" Details. Waltz No.2 Op.64 No.2 Frédéric Chopin. Schirmer, G., New York, monographic. LIKE . waltz in f minor op posth 70 #2 by chopin, f; waltz in d flat major op 70 #3 by chopin, f; waltz in a flat major kkiva #13 by chopin, f; waltz in e major kkiva #12 by chopin, f; waltz in e minor kkiva #15 by chopin, f; waltz in a minor kkivb #11 by chopin, f; waltz in e flat major kkivb #10 by chopin, f; waltz in e flat major kkiva #14 by chopin, f 2. Most of the others were mildly talented girls of society, whose parents paid handsomely for the prestige of his tutelage. Robert Ståhlbrand cites a dozen further Chopin waltzes, including six catalogued by Chopin's sister but lost when her house burned down in 1863. ® 2 | It's difficult, I did my best to express the feelings :) Hope you can give me some advice!